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Kara Walker pushes boundaries

New York — It's the day before Kara Walker's solo show opens at her gallery in the heart of Chelsea's art district. Passers-by hoping for a sneak peek stoop to peer beneath the half-lowered shades. Callers inquire whether she will be present at the reception — people who want to meet her, or even, the gallery owner suggests, touch her, as groupies would a rock star.

The 37-year-old Walker is not just a star. In today's art world, she is a supernova. And this is the former Atlantan's moment: A triumphant retrospective at the Whitney Museum of American Art, one of three exhibits in New York alone. She's on magazine covers, in bookstores. Critics suggest comparisons to Goya, the venerated Spanish Old Master.

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Robert Kulicke, 83; artist modernized frame design

Robert M. Kulicke, a painter, goldsmith, teacher, businessman, and designer who changed the look of postwar art by modernizing frame design, died on Friday in Valley Cottage, N.Y. He was 83 and had lived in Manhattan until about 18 months ago.

The cause was pneumonia, said Roy Davis of Davis & Langdale Co., the gallery that represented Mr. Kulicke since 1974, when it was called Davis & Long.

Garrulous, articulate, and confident, Mr. Kulicke was a man of many talents, interests, and passions. He painted and regularly exhibited small, delicate still-lifes of flowers, dollar bills or, often, a single pear. He helped to revive the ancient cloisonné technique of granulation and to establish a school for jewelry making. Widely knowledgeable in art history, he often supported himself and his businesses by buying and selling medieval art and Coptic textiles.


Maps inspire design, home decor

KANSAS CITY, Mo. -- Whether you are fascinated by the Old World or prefer a modern look, there's a map for your home.It's easy to find antique-inspired sepia maps of the world that are full of mountain ranges and place names and look as if they belong in your grandfather's study. But there are also more glamorous maps, streamlined of all topography and made of clear acrylic that seems to float when hung on the wall. Fully illuminated maps look like high-def televisions, techy enough to make a gadget geek swoon.But all maps share this: They transport us back in time to the places we have traveled, as well as to the places we dream of going. Maps represent who we are, making them good conversation pieces in the home, says Larry Compeau, associate professor of marketing at Clarkson University in New York and executive officer of the Society for Consumer Psychology.Maps also can signify who we wish we were."Those who haven't really traveled, who have a map displayed, want to convey that they're knowledge-seeking, intelligent people," Compeau says.


Dallas Seitz: Hunted - the cannibalism of colonial collectorexia

Pump House Gallery is pleased to present Dallas Seitz's first solo show in a UK public gallery, which will include a number of significant new commissioned works. Moving between the mediums of video, sculpture, drawing and photography Seitz investigates the processes of hunting and collecting as a form of colonization and obsession. Though the artist's practice is largely conceptual, much of his work originates from the personal. Often drawing on his own family, upbringing, and memories Seitz moves towards psychological and political terrains - exploring the wider motivations, intentions and implications behind the act of collecting.

HUNTED (the cannibalism of colonial collectorexia) features a variety of artworks in a number of different media including films, images, handmade objects and bronze and glass sculptures.



 

 

 

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