| Innovation First, Inc. to Debut Vex Robotics Education Web Page at ...
GREENVILLE, Texas, Nov. 5 /PRNewswire/ -- In an effort to promote greater interest in science, technology, engineering and math (STEM) in schools across the globe, Innovation First, Inc., a leader in educational and competitive robotics products today announced the company will debut the Vex Robotics Education Web page, hosted on the Vex Robotics Web site at VexRobotics.com. The new Web page will serve as a resource for educators looking to introduce robotics into their STEM curriculum. The new education Web page will feature a uniquely tailored selection of classroom lab kit packages, available for purchase, which provide a custom solution for robotics education on multiple levels, including middle school, high school and college. The custom packages were developed using feedback from teachers, schools and districts throughout the country that have integrated hands-on robotics programs into their classrooms.
willy waterton the sun times
With her comic Minnie Pearl bits, her fancy footwork and her 50,000-watt smile, it's easy to overlook how much music Linsey makes as part of this old-time country music variety show. Pianist Mel Aucoin, a regular with the Becketts in recent years, has more than four decades in the music business behind him, including a lengthy stint on the old Tommy Hunter show. He grew up in the thick of Cape Breton fiddle culture and has high praise for Tyler and Linsey and their place within the Ontario fiddle music continuum. "I'm out of breath when I'm watching those two," Aucoin said after Monday's first show. "They're as fine a fiddlers as you'll hear, wherever you go. They're as good as you're going to get. It doesn't get any better." Sometimes we forget that around these parts, where as Sun Times columnist Jim Merriam once wrote, "the first family of fiddling" is a Grey-Bruce treasure we tend to take for granted.
Advertising giant Grey Global re-launches in Cairo by op...
Born in Aswan, Abdel Dhaher has both Nubian and Saeedi roots. Although he left Aswan as a child and came to settle in Cairo, Abdel Dhaher never really left Egypt's most magical city. “My painting style is social realism. I paint the reality of life in the South. I've loved to paint the daily life or the environment in the South ever since I was a student of Fine Arts," he says. Armed with a sketch pad at all times, Abdel Dhaher quickly draws everything he sees, a zir (water jar), a cousin feeding the chickens, another cousin feeding the ducks, his nephews' double wedding, or the belly dancer and zammar (flute player) at a wedding. Few people have heard of a Saeedi painter. It's not that Upper Egyptians aren't blessed with artistic talent. They are. It is just that those painters who originally come from Upper Egypt more often than not tend to stray away from their roots and try to become urbanized.
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